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s​/​t

by VERMINE

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bmurator
bmurator thumbnail
bmurator Fantastic Black Metal from France! The only problem? It is far too short & i want more! Much much much more! Highyl recommended! Favorite track: Peur Du Vide.
Darknight
Darknight thumbnail
Darknight This self titled EP has a sound that could punch you in the gut. One man band that thrives on creating killer black metal and the sound so loud it could rip open clouds of despair. Favorite track: Pouces Coupés.
YomaBarr
YomaBarr thumbnail
YomaBarr First I fell in love. This melody opening Peur Du Vide... meaoww...
Then I read: No keyboards. Big grin.
Then I looked the guy up. Grin even bigger.
And apparently nothing to do with that nazi scum other Vermine. OK. Favorite track: Peur Du Vide.
OyO DooM OccultA
OyO DooM OccultA thumbnail
OyO DooM OccultA Agressif et violent! Du pur BM! La France mes amis terre fertile de talents! Vermine un groupe que je suivrais indéniablement grosse grosse prestation et ce titre Rivage!!! Favorite track: Rivage.
Meatbreak
Meatbreak thumbnail
Meatbreak love the strapline. Favorite track: Rivage.
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1.
Introduction 02:34
2.
Peur Du Vide 06:55
3.
Rivage 07:22
4.
5.
Détachement 03:22

about

It’s hard to believe that Vermine is another one-man « black » metal band when do you listen to his sophomore debut album (maybe not if you already know Olivier Lolmède). Like Scars From A Dead Room, Vermine plays a powerful metal driven by obscure forces but free from petrified dogmas. There’s all the elements of a good black metal record, torrent of haunted melodies, swarm of blast beats, jagged vocals, even the groovy and head-banging parts has been composed with a real determination to create a bad atmosphere. Abandon, sorrow, betrayal, Vermine pours all his pain during 26 forceful minutes. Obviously it is not recommended if your a real empathic human being.

credits

released April 6, 2016

Music & Lyrics by Olivier Lolmède

.NO KEYBOARDS USED ON THIS ALBUM.

license

all rights reserved

tags

about

VERMINE Toulouse, France

.NO KEYBOARDS USED ON THIS ALBUM.

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